1:50, Computer animation
The work is meant to answer the question about how to organise chaos in systems that are more complex than an individual can grasp. If the work were to exist in an exhibition space, I would enrich it with elements of interactivity.
During the search for features assigned to the centre, mainly the issue of organising chaos, in the world of ideal shapes, it is easier to try to simulate their interactions, hierarchy and changes.
The presentation of these relationships is aimed at questioning the uniformity of planes and directions in which the human being has to act nowadays.
Watching individual aspects of relationships between shapes, an analytic perspective or the lack of colour should help to deconstruct the concept under examination. The form is simplified as not to distract the spectator; it aims to provide room for an attempt to systematise and associate sound with image.
Background music consists of the processed recording of sounds generated by a hang drum and a Tibetan singing bowl – instruments associated with soothing sounds helping to enter a state of meditation.
And what if we scattered the pixels of which this animation consists? Would we manage to put them back together?
