Dominika
Renusz

The aim of the design was to translate the artist’s lifetime work – the design of graphics of the New York subway route – into an exhibition. The exhibition cumulates three areas of Vignelli’s activity: furniture, design and graphics. The square grid served as a basis for the drawing of the layout, which was based on the principle of breaking the line at an angle of 45 and 90 degrees. The resulting composition was divided into three colours taken from the map, and individual zones of the exhibition were assigned to them. In addition, the entire graphics work was elevated to the height of 3 m in the form of foamed PVC slats.

The aim of the design was to translate the artist’s lifetime work – the design of graphics of the New York subway route – into an exhibition. The exhibition cumulates three areas of Vignelli’s activity: furniture, design and graphics. The square grid served as a basis for the drawing of the layout, which was based on the principle of breaking the line at an angle of 45 and 90 degrees. The resulting composition was divided into three colours taken from the map, and individual zones of the exhibition were assigned to them. In addition, the entire graphics work was elevated to the height of 3 m in the form of foamed PVC slats.

The aim of the design was to translate the artist’s lifetime work – the design of graphics of the New York subway route – into an exhibition. The exhibition cumulates three areas of Vignelli’s activity: furniture, design and graphics. The square grid served as a basis for the drawing of the layout, which was based on the principle of breaking the line at an angle of 45 and 90 degrees. The resulting composition was divided into three colours taken from the map, and individual zones of the exhibition were assigned to them. In addition, the entire graphics work was elevated to the height of 3 m in the form of foamed PVC slats.

The aim of the design was to translate the artist’s lifetime work – the design of graphics of the New York subway route – into an exhibition. The exhibition cumulates three areas of Vignelli’s activity: furniture, design and graphics. The square grid served as a basis for the drawing of the layout, which was based on the principle of breaking the line at an angle of 45 and 90 degrees. The resulting composition was divided into three colours taken from the map, and individual zones of the exhibition were assigned to them. In addition, the entire graphics work was elevated to the height of 3 m in the form of foamed PVC slats.

The aim of the design was to translate the artist’s lifetime work – the design of graphics of the New York subway route – into an exhibition. The exhibition cumulates three areas of Vignelli’s activity: furniture, design and graphics. The square grid served as a basis for the drawing of the layout, which was based on the principle of breaking the line at an angle of 45 and 90 degrees. The resulting composition was divided into three colours taken from the map, and individual zones of the exhibition were assigned to them. In addition, the entire graphics work was elevated to the height of 3 m in the form of foamed PVC slats.

The author of the design developed the idea of revitalisation of landscape of Gocław Lake, located between Aleja Stanów Zjednoczonych and Jana Nowaka-Jeziorańskiego street in Gocław, Warsaw. The surroundings of the lake are a place of everyday relaxation for inhabitants of nearby housing estates. The proposed design solutions are aimed at preserving the most precious natural values (vegetation, lake), enriching biodiversity through proper development of vegetation, and improving spatial and visual value of the area.

The author of the design developed the idea of revitalisation of landscape of Gocław Lake, located between Aleja Stanów Zjednoczonych and Jana Nowaka-Jeziorańskiego street in Gocław, Warsaw. The surroundings of the lake are a place of everyday relaxation for inhabitants of nearby housing estates. The proposed design solutions are aimed at preserving the most precious natural values (vegetation, lake), enriching biodiversity through proper development of vegetation, and improving spatial and visual value of the area.

The author of the design developed the idea of revitalisation of landscape of Gocław Lake, located between Aleja Stanów Zjednoczonych and Jana Nowaka-Jeziorańskiego street in Gocław, Warsaw. The surroundings of the lake are a place of everyday relaxation for inhabitants of nearby housing estates. The proposed design solutions are aimed at preserving the most precious natural values (vegetation, lake), enriching biodiversity through proper development of vegetation, and improving spatial and visual value of the area.