Paulina
Staszkiewicz

In the case of contemporary art objects, the relationship between matter and meaning is usually ambiguous and non-obvious. The meanings are individual for individual artists as well as for the materials used. Defining the message of a work becomes a complex task as various factors influence the meaning of a work. In addition to the matter itself and the direct artistic vision, the non-material aspects often also have an influence. Therefore, in order to understand the author’s assumption – the possibility of an interview with the artist becomes the primary source of reference. In this case, we are dealing with an unusual medium of work.

Conservation and restoration works as part of the studio’s program. The main goal of conservation-restoration of the work is to stop the destruction processes and try to eliminate the destructive factors. The overriding goal of the work is to restore the work to its full exhibition value.

Conservation and restoration works as part of the studio’s program. The main goal of conservation-restoration of the work is to stop the destruction processes and try to eliminate the destructive factors. The overriding goal of the work is to restore the work to its full exhibition value.