Marble Slab Commemorating Founders of Beds, from the Bersons and Baumans (...)
Portrait
Untitled
Feliks Podsiadły, ‘Warrior II’ inv. No. 68 / owner: STUDIO Gallery
Conservation and restoration of an easel painting ‘12th Station of the (...)
Lack
Lack
Dyeing plant – catechu tree (Senegalia catechu)
Conservation and restoration of etching with dry needle elements, ‘An (...)
Tile with green glaze
Apologia Alberti Novicampiani, Pro Catholica Fide [...], Adalbertus (...)
Travels around the skin
Valentine’s Day
Lack
Ryszard Winiarski, "Game 10x10 - logical course, Painting 12", (...)
Women playing the guitar
Madonna with the sleeping Baby Jesus from the collection of the National (...)
View from a window
Icon with an image of the Descent of the Holy Spirit
Babel Tower according to Bruegel
Figure of Saint Peter
Conservation and restoration of an easel painting ‘2nd Station of the (...)
Tile with green glaze
The Lord’s Transfiguration, Ignacy Jasiński (copy according to (...)
Conservation and restoration of a 15th-century sudarium from the (...)
Study of a head
Untitled
Conservation and restoration of an easel painting ‘6th Station of the (...)
Portrait of Franciszek Rudnicki – Major of the Polish Army, unknown (...)
Portrait in a headdress
Putto – motif of a window frame, copy from the 17th century
Ryszard Winiarski, "Game 10x10 - logical course, Painting 12", (...)
Lack
Ryszard Winiarski, "Game 10x10 - logical course, Painting 12", (...)
Conservation of the frontpiece of an 18th-century embroidered chasuble (...)
Feliks Podsiadły, ‘Warrior II’ inv. No. 68 / owner: STUDIO Gallery
Samaritan Woman – a fragment of the Jerusalem Triptych
Untitled
Lack
Study of a rising woman
Picture on glass
Portrait of a child
Eucharistic Christ
Exercise on conservation and restoration of wall painting
Conservation and restoration of etching with dry needle elements, (...)
Untitled
Dyeing plant – walnut (Juglans regia)
Reconstruction attempt
Tempera Technique
Study based on J.A. Houdon’s sculpture
Still life
Lantern
Conservation of the frontpiece of an 18th-century embroidered chasuble (...)
Copy of the icon Our Lady of Kazan
Landscape
Faseta z przedstawieniem motywów roślinnych i architektonicznych
Conservation-restoration of a white fan from the turn of the 19th and 20th (...)
Exercises in Book Binding Techniques and Technologies
Decorated plate
Feliks Podsiadły, ‘Warrior II’ inv. No. 68 / owner: STUDIO Gallery
Ryszard Winiarski, "Game 10x10 - logical course, Painting 12", (...)
Ryszard Winiarski, "Game 10x10 - logical course, Painting 12", (...)
Exercises in Book Binding Techniques and Technologies
Tile stoves from the Manor House in Hawłowice Górne
Lime-sand fill
History of Most Pertinent and Famous Treaties Between European Powers (...)
Digital art – challenges and protection strategies. Interview with (...)
Epistola collaudatoria […], Georgius Libanus Legnicensis, Kraków, (...)
Restoration of the original form of a mock-up with a representation of a (...)
Spoons
The Virgin and Child with Saint Anne
Putto – motif of a window frame, copy from the 17th century
Feliks Podsiadły, ‘Warrior II’ inv. No. 68 / owner: STUDIO Gallery
Tile stoves from the Manor House in Hawłowice Górne
Dyeing plant – black alder (Alnus glutinosa)
Japanese woman
Figure of the ‘Roman Warrior’ from the sculpting decoration of the (...)
Conservation of the frontpiece of an 18th-century embroidered chasuble (...)
Conservation and restoration of the etching ‘Dogs and still life’ (...)
I invite you to the ONLINE 2021 exhibition presenting the best artistic achievements and conservation projects of our students. It is extremely difficult to show hundreds of hours of work on a historical item, dozens of studies, analyses, discussions, often surprising discoveries, and passion, without which many of the challenges of saving such works would not be possible to handle. In order to carry out a conservation and restoration project on a work of art, students must be equipped with intellectual competencies, outstanding manual abilities, and also be attentive, sensitive and patient. The studies at our Faculty of Conservation and Restoration of Works of Art reinforce and develop these qualities, providing tools, interdisciplinary knowledge (expertise) and reliable techniques. The work after conservation usually does not show the great effort put into it, but expresses its gratitude by existing for decades, or even hundreds of years to come.